Review: Popular interest in UK garage may have taken a dip over the years but Ultra Bass Records are here to keep the torch burning with a 'massive 2-Step UK Garage rinser' by Londoners 99dB & Martin Carr. 'Another Night' features smooth synth work and silky textured vocals that deal with typical jack the lad shenanigans. Remix-wise, B1G PR0J3CT turns in an epic 2-step joint, Scott & Nick deliver some uplifting piano house warmth and Impact & MC Kane drop some old skool Ayia Napa vibes. Finally Lamont Dex ends with some lush and dreamy house emotions. Review: Abeyance is becoming a very well-known producer with taste for the darker seductive sides of bass music. Hailing from the Midlands, she recently impressed with her Nina Wilde collaboration, Pretty Girls, and now she's back with 'Don't Let Me Stay' this time recruiting the vocals of Official Nancie.

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The original is a smooth and velvety late garage-pop gem that gets beefed up with tougher beats in her own VIP mix. There are four impressive mixes, the best of which include 9BAR's monstrously good bass growler and Thom's blissed out synth-step confection of a mix. Review: When we see the name Adam Hyjek pop up on our charts, our minds aren't restricted to one genre or style of dance music. Instead, we associate the producer with everything that's even remotely house-related and, in fact, he has produced plenty of wonderful tunes across the deep, progressive, tech, and even funky strains of the most beloved form of club music. Here, 'Why Do I Still' heads into clear garage waters, guided by the seductive voice of Sanna Hartfield, in what is an ultra sexy tune for this new Ultra Bass tune.

Remix A comes from Wayne H, who injects a heavier house flow into the mix, while remix B is from Style Of Tigers, and what we have is a gentle, stripped-back Chicago bomb. There's a sultry radio edit, too. Review: Ultra Bass continue their impressive run in 2018 with this smooth selection from Blackboxx encompassing a more emotive style of release. We kick off with the garage inspired melodics of the title track 'New Ghost'. This one is as satisfying as they come as marine-like percussive rolls run wild amidst beautiful vocal slices and emotional harmonics. Next up we move into 'Midnight Swims' which carries on where the previous track left off. Lashings of relaxing atmospherics and soft drum arrangements make this one a pleasure to take in.

Finally we round off with the halftime design of 'Closer' which is almost Phaeleh like in it's stripped back majesty. Fantastic work on this one! Review: This latest missive from Denver's Ultra Bass sees Bracknell duo Coity & Rykennon on a mission to revive 'the golden days of garage music'. The original take of 'Lover' cleverly infuses the traditional open hi-hats, chopped vocals and plinky-plonk organ riffs of vintage garage with a more pumping, muscled-up house vibe -complete with epic breakdown.

Their VIP mix ups a gear into speedier territory with a looser, lower bassline, whilst Thorn wraps things up with the piano laden, multi rhythmic deep cut that's easily the EPs stand out mix. Review: Ultra Bass are ecstatic to present a new banger, 'When I Get You Home', by Birmingham heroes Collabor8. Roping in the smooth, emotional RnB vocals of Jay Harvey the track is an uplifting slice of sleek and warm pop-garage.

If that's too commercial for you, then they've kindly submitted an 'alternative mix' too, which strips things down to shuffle beats and old skool stabs. Elsewhere Thorn's mix opts for a more underground sound featuring a cool ascending riff and Dominic Bullock delivers an infectious moody house rework. Review: For those of a certain vintage, this single from Australian producer Cue Up will stir memories of sticky, Naked Music style San Francisco deep house, and early UK garage. It's a warm, humid and appealing blend, with glistening guitar solos, drifting female vocals and thickset bass giving 'For Your Love' an attractively summery vibe. The first remix comes from S Jay, who emphasizes the skipping US garage percussion and beefs up the bassline in an attempt to illicit a wilder dancefloor response.

Wagert and Green close proceedings, lacing the hazy guitar solos over a deep and woozy house groove. Review: For Italian DJ Danilo De Santo's latest release, it's a case of subliminal by name and nature. The title track is a peak time affair. Led by up tempo drums and acrid 303 undercurrents, its insistent stabs and rolling groove are sure to work well in big rooms. The addition of rolling snares and screeching sirens augments its effectiveness and also suggests that De Santo's production was influenced by the tough, tribal house of New York label Subliminal. On 'Revelation', De Santo favours a similar approach, with rolling drums, crashing snares and the kind of high-pitched, screeching sirens that suggest a major air offensive is taking place in the middle of the dance floor.