Celestion design, develop and manufacture premium guitar and bass speakers, as well as high quality professional audio loudspeakers and compression drivers.

Celestion SR1 Loudspeaker Product Hire Price: £80.00 Product code: 211008 Pair of 350w loudspeakers including contoller. Twin 8' full-range concentric dome radiator driver which gives wide dispersion and reduced distortion.

Designed to be used with the SRC4 controller. Compact, injection moulded reinforced plymer enclosure.

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Comprehensive mounting options, including pole mount and fly points. • Drivers: 2 x 8' full range concentric dome radiator • Impedence: 4 or 8 ohm • Power rating: 350w • Sensitivity: 99dB • Maximum SPL: 124.5dB • Frequency: 50Hz - 20kHz • Connectors: Neutrik Speakon • Cabinet: Injection moulded reinforced polymer • Weight: 15.5Kg • Dimensions: 302 x 556 x 358 mm.

ANYONE FAMILIAR WITH the world of loudspeakers is certain to be familiar with the name Celestion. Star of hi-fi, studio and stage for more years than most care to remember, Celestion have a reputation for getting the job done without grabbing too much attention. So it is with Celestion's current SR (Sound Reinforcement) PA series - quality live sound without the hype. And while PA systems lie outside MT's usual coverage, the flexibility of the SR range makes it ideal for onstage keyboard monitoring. Getting more specific, I recently field-tested two pairs of SR cabinets - SR1s and SR3s - along with their 'controller' units - SRC1 and SRC3 - to see how they performed. The first thing I learnt was that the SR cabinets are designed to work in pairs along with a dedicated control unit. This unit sits between the power amp and the speakers protecting them from any amplification excesses and allowing them to be driven harder than would otherwise be advisable.

In this way, it's possible to get away with a lower-rated system than a particular situation would otherwise demand. The second thing I learnt was that the modest 8' drivers that occupy the SR cabinets are specially designed for the purpose.

Nothing if not thorough, Celestion. So, armed with SR1 and SR3 speakers and their control units, I faced several 500-strong audiences and the rest of my band (drummer, bassist, guitarist and vocalist). Somehow I wanted to hear myself as well as 504 other people.

Taking the lower-rated system first, I took a stereo feed from my keyboard mixer (additional to the one feeding the 2 kilowatt FOH PA) into a C Audio RA2000 amp and into the SR3s via the SRC3. Theoretically this gave me 290 watts/channel from the amp into two 150 watt speakers.

What I got for my trouble was a crystal clear monitoring system that might have suited a more peaceful monitoring environment than mine (adjacent to a 300w Peavey bass rig). It might even serve as a full PA for a low-key acoustic band, but it really wasn't up to the row we produce onstage. Substituting a pair of SR1 cabinets for the SR3s, an SRC1 controller for the SRC3, and an RA3000 (400 watt/channel) amp, however, changed things entirely. With the SR3s' single SR driver replaced by the SR1s' two, the resulting 500 watt/cabinet power handling allowed me to cut my way through the onstage cacophony with surgical precision.

Where Celestion offer an SR2 Sub-bass unit for PA applications, the SR1s alone provided an ideal balance of volume and clarity for serious keyboard monitoring. All the features of keyboard sounds (except deep bass, which finds its way back from the front-of-house PA) are well represented - bright pianos, icy digital synths, analogue filter sweeps. Much of the bass was reproduced too, although there's obviously a limit to what 8' drivers can do (Celestion claim 50Hz-20kHz for the SR1s and 60Hz-20kHz for the SR3s). I can only describe the clarity as perfectly-suited to keyboard applications.