Ryuichi Sakamoto Bttb Rar

In a departure from his more electronically amplified works, composer and pianist Ryuichi Sakamoto's BTTB stands as a sometimes contemplative, a periodically nostalgic, and an often new age-sounding acoustic piano album. At the time that Sakamoto began composing for BTTB, he thought that a CD of piano music felt right, though he was not sure of what kind of styles he wanted to play around with. Instead of settling on one or two styles, the renowned pianist and composer experimented with several. Bryton bridge 2 software. For instance, on BTTB, Sakamoto delves into avant-garde piano techniques, playing a prepared piano on the gently circular 'Prelude' and 'Uetax.' With his song 'Bachata,' Sakamoto interprets folkloric music from the Dominican Republic. Sakamoto's two choral-inspired pieces, 'Choral No.

Ryuichi sakamoto - bttb - reversing. Terms of Service. BTTB is a 1999 piano solo album by Ryuichi Sakamoto. The album title is an acronym for 'Back To The Basics'. Has been played on. Ryuichi Sakamoto Ryuichi Sakamoto (坂本 龍一, Sakamoto Ryūichi?, born January 17, 1952) is an Academy Award-winning Japanese musician, composer, record producer and actor, based in New York and Tokyo.

1' and 'Choral No. 2,' were born out of his fascination with Bach's 'St. Mathew Passion' and medieval-esque Gregorian chants.

On BTTB, Sakamoto also plays with a variety of themes. On the CD's first two tracks, 'Energy Flow' and 'Put Your Hands Up - Piano Version,' Sakamoto is concerned with issues of healing and therapy. With 'Railroad Man,' the CD's third track, the pianist and composer attempts to depict the ambience of steam locomotives. All in all, BTTB is a mellifluous CD that highlights Sakamoto's heartfelt dedication to the piano and fascination with various musical traditions. - by John Vallier, AMG It's somewhat difficult to describe the impression 'BTTB' made when I first listened to the album nearly two years ago, but in the very least I can say this: it was, at the time, my single inspiration for learning the piano and proved an accessible gateway into the music of Romantic and Contemporary Classical. For this reason alone I'm deeply indebted to Sakamoto.

Yet rather than persuade with articulated opinions. 'BTTB' is nearly a tribute album to Sakamoto's classical influences.

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Erik Satie, perhaps the single most influential composer on Sakamoto's piano style, can be heard all over the album. Most noticeably on the very French-like 'Opus,' 'Lorenz and Watson,' 'Chanson,' and the nearly Bach-like Chorales. John Cage is also emulated more conspicuously on the album's prepared piano pieces (particularly 'Sonata,' which sounds very much like Cage's fifth sonata for prepared piano which, as coincidence would also have it, was sampled on David Sylvian's 'Pollen Path' from 'Dead Bees on a Cake' featuring Sakamoto). But two Romantic composers seem to be more carefully hinted at: a tilt of the hat to Brahms on the beautiful 'Intermezzo' and towards Ravel on the challenging 'Sonatine' and 'Bachata.'